{"id":68671,"date":"2026-08-24T12:53:21","date_gmt":"2026-08-24T03:53:21","guid":{"rendered":"https:\/\/www.gscamera.com\/wordpress\/?p=68671"},"modified":"2026-08-24T12:53:21","modified_gmt":"2026-08-24T03:53:21","slug":"%eb%a7%88%ed%82%a4%eb%82%98-plaubel-makina-67-nikkor-80mm-f2-8-medium-format-film-camera-97","status":"publish","type":"post","link":"https:\/\/www.gscamera.com\/wordpress\/?p=68671","title":{"rendered":"\ub9c8\ud0a4\ub098 Plaubel Makina 67 + NIKKOR 80mm F2.8 Medium Format Film Camera \/97%"},"content":{"rendered":"\n
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Plaubel Makina 67 + NIKKOR 80mm F2.8<\/strong><\/p>\n\n\n\n

Kimio Doi, of the Doi Group, requested a redesign of the Makinette 67 from Konica, lead by chief designer Yasuo Uchida (previously designer of the 1975 Konica C35 EF). Doi also prioritized the exterior design, and asked professor Udo M. Geissler, from the industrial design department of the Munich University of Applied Sciences[1], for help. Yasuo Uchida then went to Munich to consult with Geissler[2]. The design principles were to create a camera that could 1) take good pictures and 2) be easy to use. Regarding picture quality, the “Doi International Design Department” emphasized that the lens must be excellent and that the camera should use medium format film. The 6×7 format was chosen as the ideal format for prints. Furthermore the rangefinder, exposure meter and other camera parts were designed to be highly durable, ensuring high image quality. As for ease of use, the designers emphasized compactness and light weight for convenient carrying. Priority was also put on making the camera easy to hold and operate, including making the wind lever ergonomic and the size and placement of buttons.[3].<\/p>\n\n\n\n

In a 2015 interview, the chief designer, Yasuo Uchida, stated that he disagreed with Geissler on some parts of the exterior design, and had them adjusted. They also argued about the size of the lens face, which Uchida wanted to keep as small as possible, while Geissler wanted as large as possible. Geissler refused to budge, and Uchida yielded in the end. In retrospect Uchida considerds the lens face one of the Makina 67’s distinguishing features, stating that the exterior design is a key factor of the camera, and regards Geissler’s work as “amazing”[4][5].<\/p>\n\n\n\n

Doi furthermore wanted to make the Makina 67 an automatic exposure camera, which was a trend at the time. However Uchida refused, as he felt that it was a camera for professionals using slide film, where correct exposure is critical, and AE was not accurate enough in this regard. In the end a manual exposure meter was used. Uchida, from Konica, also requested Doi to use a Konica lens for the camera. However Kimio Doi disagreed, having already paid Nikon for the development of the 80mm f2.8 lens specially for the Makina (or rather Makinette 67 at that time), after taking over Plaubel. Uchida asked for a copy of the lens for testing, and agreed to use it after being satisfied with the results. Besides the external design, Uchida now considers the Nikkor lens a distinguishing feature of the camera.[6][7]<\/p>\n\n\n\n

The redesigned Makina 67 was first shown at Photokina 1978, and was released in March 1979.[3] The camera’s shape is reminiscent of the Makinette 6×7 prototype, but also the earlier Makina. After the redesign it also closely resembles the Agfa Optima Sensor Series, for which either professor Geissler or his colleague, professor Norbert Schlagheck, seems to have provided the design through the design firm Schlagheck & Schultes. The similarities with the Agfa camera was also noted in a contemporary Japanese review, pointing out the German roots of the designer, while characterizing it as a roundish, soft and elegant european design.[3]<\/p>\n\n\n\n

The production Makina 67 bodies were made in Japan by Konica. They have the aforementioned Nikkor 80\/2.8 lens.<\/p>\n\n\n\n

_______________________________________________________<\/p>\n\n\n\n

Doi Group\uc758 Kimio Doi \ub294 \uc218\uc11d \ub514\uc790\uc774\ub108 \uc778 Uchida Yasuo (\uc774\uc804\uc758 1975 \ub144 Konica C35 EF \ub514\uc790\uc774\ub108)\uac00 \uc774\ub044\ub294 Konica \uc758 Makinette 67\uc744 \uc7ac \uc124\uacc4\ud574\uc57c\ud55c\ub2e4\uace0 \uc694\uccad\ud588\uc2b5\ub2c8\ub2e4 . Doi\ub294 \ub610\ud55c \uc678\ubd80 \ub514\uc790\uc778\uc758 \uc6b0\uc120 \uc21c\uc704\ub97c \uc815\ud558\uace0 \ubb8c\ud5e8 \uc751\uc6a9 \uacfc\ud559 \ub300\ud559\uad50 (University of Applied Sciences ) \uc758 \uc0b0\uc5c5 \ub514\uc790\uc778 \ubd80\uc11c\uc758 Udo M. Geissler \uad50\uc218 \uc5d0\uac8c \ub3c4\uc6c0\uc744 \uc694\uccad\ud588\uc2b5\ub2c8\ub2e4. \uc6b0\uce58\ub2e4 \uc57c\uc2a4\uc624 (Yasuo Uchida)\ub294 \ubb8c\ud5e8 (Munich)\uc73c\ub85c \uac00\uc11c \uac00\uc774\uc2ac\ub7ec (Geissler) [2]. \ub514\uc790\uc778 \uc6d0\uce59\uc740 1) \uc88b\uc740 \uc0ac\uc9c4\uc744 \ucc0d\uc744 \uc218 \uc788\uace0 2) \uc0ac\uc6a9\ud558\uae30 \uc26c\uc6b4 \uce74\uba54\ub77c\ub97c \ub9cc\ub4dc\ub294 \uac83\uc774 \uc5c8\uc2b5\ub2c8\ub2e4. “Doi International Design Department”\ub294 \ud654\uc9c8\uc5d0 \ub300\ud574 \ub80c\uc988\uac00 \uc6b0\uc218\ud574\uc57c\ud558\uba70 \uce74\uba54\ub77c\ub294 \uc911\uac04 \ud3ec\ub9f7 \ud544\ub984\uc744 \uc0ac\uc6a9\ud574\uc57c\ud55c\ub2e4\uace0 \uac15\uc870\ud588\uc2b5\ub2c8\ub2e4. 6×7 \ud615\uc2dd\uc774 \uc778\uc1c4\ubb3c\uc5d0 \uc774\uc0c1\uc801\uc778 \ud615\uc2dd\uc73c\ub85c \uc120\ud0dd\ub418\uc5c8\uc2b5\ub2c8\ub2e4. \ub610\ud55c \uac70\ub9ac \uce21\uc815\uae30, \ub178\ucd9c\uacc4 \ubc0f \uae30\ud0c0 \uce74\uba54\ub77c \ubd80\ud488\uc740 \ub0b4\uad6c\uc131\uc774 \ub192\uace0 \uace0\ud654\uc9c8\uc744 \ubcf4\uc7a5\ud558\ub3c4\ub85d \uc124\uacc4\ub418\uc5c8\uc2b5\ub2c8\ub2e4. \uc0ac\uc6a9 \ud3b8\uc758\uc131\uc744 \uace0\ub824\ud558\uc5ec \uc124\uacc4\uc790\ub294 \uac04\ud3b8\ud55c \uc6b4\ubc18\uc744 \uc704\ud574 \uc18c\ud615\ud654 \ubc0f \uacbd\ub7c9\ud654\ub97c \uac15\uc870\ud588\uc2b5\ub2c8\ub2e4. \uc778\uccb4 \uacf5\ud559\uc801\uc73c\ub85c \ubc14\ub78c \ub808\ubc84\ub97c \ub9cc\ub4e4\uace0 \ub2e8\ucd94\uc758 \ud06c\uae30\uc640 \ubc30\uce58\ub97c \ud3ec\ud568\ud558\uc5ec \uce74\uba54\ub77c\ub97c \uc7a1\uace0 \uc870\uc791\ud558\uae30 \uc27d\ub3c4\ub85d \uc6b0\uc120 \uc21c\uc704\ub97c \ub9e4\uacbc\uc2b5\ub2c8\ub2e4. [3] .<\/p>\n\n\n\n

2015 \ub144 \uc778\ud130\ubdf0\uc5d0\uc11c \uc218\uc11d \ub514\uc790\uc774\ub108 \uc778 \uc57c\uc2a4\uc624 \uc6b0\uce58\ub2e4 (Yasuo Uchida)\ub294 \uc678\ubd80 \ub514\uc790\uc778\uc758 \uc77c\ubd80\uc5d0 \ub300\ud574 \uac00\uc774 \uc2ac\ub7ec (Geissler)\uc640 \uc758\uacac\uc744 \ub2ec\ub9ac\ud558\uace0 \uc870\uc815\ud588\ub2e4\uace0 \ubc1c\ud45c\ud588\uc2b5\ub2c8\ub2e4. \uadf8\ub4e4\uc740 \ub610\ud55c \uac00\uc774 \uc2ac\ub7ec\uac00 \uac00\ub2a5\ud55c \ud55c \ud06c\uac8c \uc6d0\ud588\ub358 \ubc18\uba74 \uc6b0\uce58\ub2e4\ub294 \uac00\ub2a5\ud55c \ud55c \uc791\uac8c\ud558\uace0 \uc2f6\uc5c8\ub358 \ub80c\uc988\uba74\uc758 \ud06c\uae30\uc5d0 \uad00\ud574 \ub17c\ud588\uc2b5\ub2c8\ub2e4. \uac00\uc774 \uc2ac\ub7ec (Geissler)\ub294 \uac1c\uc785\uc744 \uac70\ubd80\ud588\uace0 \uacb0\uad6d \uc6b0\uce58\ub2e4 (Uchida)\ub294 \uacb0\uad6d \uad74\ubcf5\ud588\ub2e4. \ub3cc\uc774\ucf1c \ubcf4\uba74 \uc6b0\uce58\ub2e4\ub294 \uc678\uad00 \ub514\uc790\uc778\uc740 \uce74\uba54\ub77c\uc758 \ud575\uc2ec \uc694\uc18c\uc784\uc744 \uc54c\ub9ac\ub294 \ub80c\uc988 \uc5bc\uad74 MAKINA 67\uc758 \ub450\ub4dc\ub7ec\uc9c4 \ud2b9\uc9d5 \uc911 \ud558\ub098\ub97c considerds\ud558\uace0, “\ub180\ub77c\uc6b4”\ub85c \uc2ac\ub7ec\uc758 \uc791\ud488\uc5d0 \uad00\ud558\uc5ec [4] [5] .<\/p>\n\n\n\n

Doi\ub294 \ub610\ud55c Makina 67\uc744 \uc790\ub3d9 \ub178\ucd9c \uce74\uba54\ub77c\ub85c \ub9cc\ub4e4\uace0 \uc2f6\uc5c8\uc2b5\ub2c8\ub2e4.\uc774 \uce74\uba54\ub77c\ub294 \ub2f9\uc2dc \ucd94\uc138\uc600\uc2b5\ub2c8\ub2e4. \uadf8\ub7ec\ub098 Uchida\ub294 \uc62c\ubc14\ub978 \ub178\ucd9c\uc774 \uc911\uc694\ud55c \uc2ac\ub77c\uc774\ub4dc \ud544\ub984\uc744 \uc0ac\uc6a9\ud558\ub294 \uc804\ubb38\uac00\ub97c\uc704\ud55c \uce74\uba54\ub77c\ub77c\uace0 \ub290\uaf08\uc73c\uba74\uc11c AE\ub294\uc774 \uc810\uc5d0 \uad00\ud574\uc11c\ub294 \uc815\ud655\ud558\uc9c0 \uc54a\uc558\uc2b5\ub2c8\ub2e4. \uacb0\uad6d \uc218\ub3d9 \ub178\ucd9c\uacc4\uac00 \uc0ac\uc6a9\ub418\uc5c8\uc2b5\ub2c8\ub2e4. Konica\uc758 Uchida\ub294 Doi\uc5d0\uac8c \uce74\uba54\ub77c\uc5d0 Konica \ub80c\uc988\ub97c \uc0ac\uc6a9\ud558\ub3c4\ub85d \uc694\uccad\ud588\uc2b5\ub2c8\ub2e4. \uadf8\ub7ec\ub098 Kimi Doi\ub294 \uc774\ubbf8 Nika\uc5d0\uac8c Plaubel\uc744 \uc778\uc218 \ud55c \ud6c4 Makina (\ub610\ub294 \uadf8 \ub2f9\uc2dc Makinette 67)\ub97c \uc704\ud574 \ud2b9\ubcc4\ud788 \uc81c\uc791 \ub41c 80mm f2.8 \ub80c\uc988\uc758 \uac1c\ubc1c\ube44\ub97c \uc9c0\ubd88 \ud55c \uac83\uc5d0 \ub3d9\uc758\ud558\uc9c0 \uc54a\uc558\uc2b5\ub2c8\ub2e4. \uc6b0\uce58\ub2e4\ub294 \uc2dc\ud5d8\uc6a9 \ub80c\uc988\uc758 \uc0ac\ubcf8\uc744 \uc694\uccad\ud588\uace0, \uacb0\uacfc\uc5d0 \ub9cc\uc871 \ud55c \ud6c4\uc5d0 \uadf8\uac83\uc744 \uc0ac\uc6a9\ud558\uae30\ub85c \ub3d9\uc758\ud588\ub2e4. Uchida\ub294 \uc678\ubd80 \ub514\uc790\uc778 \uc678\uc5d0\ub3c4 Nikkor \ub80c\uc988\ub97c \uce74\uba54\ub77c\uc758 \ud2b9\uc9d5\uc73c\ub85c \uac04\uc8fc\ud569\ub2c8\ub2e4. [6] [7]<\/p>\n\n\n\n

\uc0c8\ub86d\uac8c \ub514\uc790\uc778 \ub41c Makina 67\uc740 Photokina 1978 \uc5d0\uc11c \ucc98\uc74c \uacf5\uac1c\ub418\uc5c8\uc73c\uba70 1979 \ub144 3 \uc6d4\uc5d0 \ucd9c\uc2dc\ub418\uc5c8\uc2b5\ub2c8\ub2e4. [3] \uce74\uba54\ub77c \ubaa8\uc591\uc740 Makinette 6×7 \ud504\ub85c\ud1a0 \ud0c0\uc785\uc744 \uc5f0\uc0c1\ucf00\ud558\uc9c0\ub9cc \ucd08\uae30 Makina \ub3c4 \ub9c8\ucc2c\uac00\uc9c0 \uc785\ub2c8\ub2e4. \ub2e4\uc2dc \uc124\uacc4 \ud55c \ud6c4\uc5d0 Geaisler \uad50\uc218 \ub610\ub294 \uadf8\uc758 \ub3d9\ub8cc Norbert Schlagheck \uad50\uc218\uac00 \ub514\uc790\uc778 \ud68c\uc0ac \uc778 Schlagheck & Schultes\ub97c \ud1b5\ud574 \ub514\uc790\uc778\uc744 \uc81c\uacf5 \ud55c \uac83\uc73c\ub85c \ubcf4\uc774\ub294 Agfa Optima \uc13c\uc11c \uc2dc\ub9ac\uc988 \uc640 \ub9e4\uc6b0 \uc720\uc0ac\ud569\ub2c8\ub2e4 . \uc544\uadf8\ud30c (Agfa) \uce74\uba54\ub77c\uc640\uc758 \uc720\uc0ac\uc131\uc740 \ud604\ub300\uc758 \uc77c\ubcf8 \ub9ac\ubdf0\uc5d0\uc11c \uc8fc\ubaa9 \ubc1b\uc558\uace0, \ub514\uc790\uc774\ub108\uc758 \ubfcc\ub9ac\ub97c \uc9c0\uc801\ud558\uba74\uc11c\ub3c4 \uc6d0\ud615 \uac19\uace0 \ubd80\ub4dc\ub7fd\uace0 \uc6b0\uc544\ud55c \uc720\ub7fd \ub514\uc790\uc778\uc73c\ub85c \ud2b9\uc9d5\uc9c0\uc5c8\uc2b5\ub2c8\ub2e4. [\uc0bc]<\/p>\n\n\n\n

\uc0dd\uc0b0 Makina 67 \uc2dc\uccb4\ub294 \ucf54\ub2c8\uce74\uc5d0 \uc758\ud574 \uc77c\ubcf8\uc5d0\uc11c \ub9cc\ub4e4\uc5b4\uc84c\ub2e4 . \uadf8\ub4e4\uc740 \uc55e\uc11c \uc5b8\uae09 \ud55c Nikkor 80 \/ 2.8 \ub80c\uc988\ub97c \uac00\uc9c0\uace0 \uc788\uc2b5\ub2c8\ub2e4.<\/p>\n\n\n\n

\uce74\uba54\ub77c\uc5d0 \ub300\ud574 \uc870\uae08 \ub354<\/h3>\n\n\n\n

Plaubel Makina 67\uc740 \ub3c5\uc77c\uc5d0\uc11c \uc124\uacc4\ub418\uc5c8\uc73c\uba70 \uc77c\ubcf8\uc5d0\uc11c \uc81c\uc791\ub418\uc5c8\uc73c\uba70 \uace0\uc815\ud615 Nikkor 80mm f2.8 \ub80c\uc988\ub97c \uc0ac\uc6a9\ud569\ub2c8\ub2e4. \uc811\uc744 \uc218\uc788\ub294 \uc911\ud615 \uac70\ub9ac \uce21\uc815\uae30\uc774\uba70 \uc774\ubcf4\ub2e4 \ub354 \ub3c5\ud2b9\ud558\uc9c0 \uc54a\uc2b5\ub2c8\ub2e4. \uc6d0\ub798 Makina\ub294 1912 \ub144\ubd80\ud130 1953 \ub144\uae4c\uc9c0 \ud504\ub791\ud06c\ud478\ub974\ud2b8\uc5d0\uc11c \uc81c\uc870\ub418\uc5c8\uc2b5\ub2c8\ub2e4. \uc5b4\ub290 \uc2dc\uc810\uc5d0\uc11c \ud68c\uc0ac\ub294 Plaubel Makina\uac00\ub418\uc5c8\uace0 \uacf5\uc0ac\ub294 \uc77c\ubcf8\uc73c\ub85c \uc774\uc804\ub418\uc5c8\uc2b5\ub2c8\ub2e4. <\/p>\n\n\n\n

\uce74\uba54\ub77c\ub294 120 \uac1c\uc758 \uc911\uac04 \ud3ec\ub9f7 \ud544\ub984\uc5d0 6×7 \uc774\ubbf8\uc9c0\ub97c \ucd2c\uc601\ud558\ubbc0\ub85c 6×6 Hasselblad\uc5d0\uc11c \ucd2c\uc601 \ud55c 12 \uc7a5\uc5d0 \ube44\ud574 \ub864\ub2f9 10 \uc7a5\uc758 \uc0ac\uc9c4\uc744 \ucd2c\uc601\ud560 \uc218 \uc788\uc2b5\ub2c8\ub2e4.<\/p>\n\n\n\n

\ub354 \ub9ce\uc740 \uae30\uc220 \uc0ac\uc591\uc740 \ub2e4\uc74c\uacfc \uac19\uc2b5\ub2c8\ub2e4.<\/p>\n\n\n\n